Autor: Cynthia Lucia, Roy Grundmann, Art Simon
Wydawca: Wiley
Dostępność: 3-6 tygodni
Cena: 260,40 zł
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ISBN13: |
9781118475126 |
ISBN10: |
1118475127 |
Autor: |
Cynthia Lucia, Roy Grundmann, Art Simon |
Oprawa: |
Paperback |
Rok Wydania: |
2015-08-21 |
Ilość stron: |
520 |
Wymiary: |
245x190 |
Tematy: |
JB |
From the demise of the studio system in the 1960s and the rise of the American underground film at the same time, to the 21st century blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth–century through to the present day. The student–friendly structure that also invites much deeper scholarly consideration–––divides coverage into the periods 1960–1975, 1976–1990, and 1991 to the present day, with each section opening with an historical overview.
Bringing together a rich and varied selection of contributions by a team of respected authors, The History of American Film: 1960 to the Present combines broader historical, social and political context with detailed analysis of individual films including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, and the Batman films among many others. Topics explored range from the dismantling of the studio system and the rise of the New Hollywood; the impact of television; genre; and the rise of the new directors; to independent and underground film; the civil rights, feminist and LGBT movements on film; American film after 9/11; and identity politics and culture. Additional online resources such as lists of key concepts, and suggested readings and filmographies for specialized topics, are also available at www.wiley.com/go/lucia.
Cynthia Lucia is Professor of English and Director of Film and Media Studies at Rider University. She is author of Framing Female Lawyers: Women on Trial in Film (2005) and writes for Cineaste film magazine, where she has served on the editorial board for more than two decades. Her most recent research includes essays that appear in A Companion to Woody Allen (Wiley, 2013), Modern British Drama on Screen (2014), and Law, Culture and Visual Studies (2014).
Roy Grundmann is Associate Professor of Film Studies at Boston University. He is the author of Andy Warhol s Blow Job (2003) and the editor of A Companion to Michael Haneke (Wiley 2010). He is Contributing Editor of Cineaste and has published essays in a range of prestigious anthologies and journals, including GLQ, Cineaste, Continuum, The Velvet Light Trap, and Millennium Film Journal. He has curated retrospectives on Michael Haneke, Andy Warhol, and Matthias Müller.
Art Simon is Professor of Film Studies at Montclair State University. He is the author of Dangerous Knowledge: The JFK Assassination in Art and Film (2nd edition, 2013). He has curated two film exhibitions for the Solomon Guggenheim Museum in New York City and his work has been published in the edited collection Un–American Hollywood: Politics and Film in the Blacklist Era (2007) and in the journal American Jewish History.
Together they are the editors of the four volume reference work The Wiley–Blackwell History of American Film (2012) and The History of American Film: Selected Readings, Origins to 1960 (2015), both published by Wiley–Blackwell.
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