Killing the Imposter God: Philip Pullmans Spiritual Imagination in His Dark Materials

Praise for this intriguing look at Philip Pullman′s best–selling fantasy series "In Donna Freitas and Jason King′s creative, compelling reading,Pullman emerges not as the atheist he always said he was, but as an unwittingwitness to a divine force that longs to be with creation. It will not only change howyou read Pullman—it may change how you think about your own story, too." —Lauren F. Winner, author, Girl Meets God "Freitas and King clearly know their material andhave the requisite passion for their topic." — Publishers Weekly "Most readers of Pullman′s His Dark Materials find ourselves wrestling with itsideas long after we′ve closed the books, and Freitas and King jump into the ring withpassion and a truly unique perspective. Reading this lively and thoughtful book is like discussing the trilogy over coffee with your very smartest friends." —Kathryne B. Alfred, The Longstockings

Introduction: A Theologian in Spite of Himself. PART ONE. THE DARK MATTER OF GOD. 1. Confusing God with "Authority". 2. A God Made of Dust. 3. We Are, Each of Us, Divine. PART TWO. DIVINE AMBIGUITIES. 4. The Beauty of Evil. 5. The Good That Makes Us Human. 6. Love Frees Us. PART THREE. SAVING GOD. 7. A Promised Land of a Different Sort. 8. The Exquisite Taste of Knowing. 9. Love’s Divine Sacrifice. Conclusion: Building the Republic of Heaven. A Wicked Interview about His Dark Materials with Gregory Maguire. Plot Summaries. Acknowledgments. Notes. About the Authors. Index.

Donna Freitas is assistant professor of religion at Boston University. Her books include Becoming a Goddess of Inner Poise and Save the Date , which she cowrote with Jason King. You can contact her directly at www.donnafreitas.com. Jason King is assistant professor of theology at St. Vincent College in Latrobe, Pennsylvania. He has been teaching college for eight years and loves his interactions with students and colleagues.

Freitas and King believe that Philip Pullman—whom the New Yorker called "one of England’s most outspoken atheists"—is a theologian in spite of himself, and that Pullman’s His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman’s views pantheistic, rather than atheistic. Pullman "resurrects a far more sophisticated divinity" and wrestles mightily with theological questions. Freitas and King explore Pullman’s beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and "surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son." Freitas ( Becoming a Goddess of Inner Poise ) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release’s timing to coincide with the motion picture, His Dark Materials: The Golden Compass , should give it higher visibility to a popular audience. (Sept. 7) ( Publishers Weekly , June 11, 2007)