Digital Color Management: Encoding Solutions

Digital Color Management: Encoding Solutions, Second Edition     
Edward J. Giorgianni, Senior Research Fellow (retired), Eastman Kodak Company, USA
Thomas E. Madden, Senior Principal Scientist, Eastman Kodak Company, USA
All successful imaging systems employ some form of color management for previewing, controlling and adjusting color throughout the image–production process. Today’s increasingly complex systems pose challenging problems: they must support numerous devices and media having disparate color properties, and they also must provide for the interchange of images among dissimilar systems. In this book, the authors address and solve these problems using innovative methods of representing color in the digital domain.
The second edition of this popular book explains the capabilities and limitations of existing color management systems and provides comprehensive practical solutions for communicating color within and among imaging systems, from the simplest to the most complex. Beginning with the fundamentals of color and human color perception, the book progresses to in–depth analyses of the nature of color images, digital color encoding, color management systems and digital color interchange. Fully revised and updated, this second edition of [start italics]Digital Color Management[end italics] features new and expanded coverage including:
•electronic displays and electronic imaging systems;
•scene–based and appearance–based color encoding methods;
•color management for digital cinema;
•a Unified Paradigm—a comprehensive, integrated color–managed environment for the color–imaging industry;
•four new chapters, two new appendices, and more than 80 new figures.
This book is an essential resource for engineers, programmers and imaging professionals designing and engineering color–imaging systems and for others simply look ing to increase their understanding of the field. Scientists, researchers, advanced undergraduates and graduate students involved in imaging technology also will find this book of significant interest and usefulness.
Reviews for the first edition:
‘The absence of unnecessary jargon, the impeccable writing style, the material depth leads only to one conclusion: If you buy one digital color book this year, buy this one.’
W. David Schwaderer, Digital Camera Magazine
‘It [Digital Color Management] fulfils the need among engineers and scientists for a comprehensive understanding of color management, imaging, media, viewing conditions, appearance and communication.’
Arthur S. Diamond, Imaging News


Spis treści:
Series Preface
Acknowledgement
Introduction
I Fundamentals
1 Measuring Color
2 Color–Imaging Systems
3 The Human Color–Imaging System
II The Nature of Color Images
4 Electronic Displays
5 Electronic Imaging Systems
6 ReflectionImages
7 ProjectedImages
8 Photographic Negatives
III Digital Color Encoding
9 Encoding Concepts
10 Densitometric Color Encoding
11 Colorimetric Color Encoding
12 Scene–Based Color Encoding
13 Color–Encoding Data Metrics
14 Output Signal Processing
15 Myths and Misconceptions
IV A Unified Color–Management Environment
16 Color–Management Paradigms
17 A Unified Paradigm: Basic Properties
18 A Unified Paradigm: Encoding Concepts
19 A Unified Paradigm: Encoding Transformations
20 A Unified Paradigm: Example Systems
21 A Unified Paradigm: Complex Systems
22 A Unified Paradigm: Color Interchange
23 A Unified Paradigm: Implementation
24 Closing Thoughts and Conclusions
V Appendices
A Colorimetry
B Densitometry
C Photographic Media
D Adaptation
E Viewing Flare
F Scene– ;Based Color Encoding Specifications
G Transformations for Color Interchange
H Color–Primary Conversions
I Mathematical Transforms
Glossary
Suggested Reading
Index


Okładka tylna:
Digital Color Management: Encoding Solutions, Second Edition     
Edward J. Giorgianni, Senior Research Fellow (retired), Eastman Kodak Company, USA
Thomas E. Madden, Senior Principal Scientist, Eastman Kodak Company, USA
All successful imaging systems employ some form of color management for previewing, controlling and adjusting color throughout the image–production process. Today’s increasingly complex systems pose challenging problems: they must support numerous devices and media having disparate color properties, and they also must provide for the interchange of images among dissimilar systems. In this book, the authors address and solve these problems using innovative methods of representing color in the digital domain.
The second edition of this popular book explains the capabilities and limitations of existing color management systems and provides comprehensive practical solutions for communicating color within and among imaging systems, from the simplest to the most complex. Beginning with the fundamentals of color and human color perception, the book progresses to in–depth analyses of the nature of color images, digital color encoding, color management systems and digital color interchange. Fully revised and updated, this second edition of [start italics]Digital Color Management[end italics] features new and expanded coverage including:
•electronic displays and electronic imaging systems;
•scene–based and appearance–based color encoding methods;
•color management for digital cinema;
•a Unified Paradigm—a comprehensive, integrated color–managed environment for the color–imaging industry;
•four new ch apters, two new appendices, and more than 80 new figures.
This book is an essential resource for engineers, programmers and imaging professionals designing and engineering color–imaging systems and for others simply looking to increase their understanding of the field. Scientists, researchers, advanced undergraduates and graduate students involved in imaging technology also will find this book of significant interest and usefulness.
Reviews for the first edition:
‘The absence of unnecessary jargon, the impeccable writing style, the material depth leads only to one conclusion: If you buy one digital color book this year, buy this one.’
W. David Schwaderer, Digital Camera Magazine
‘It [Digital Color Management] fulfils the need among engineers and scientists for a comprehensive understanding of color management, imaging, media, viewing conditions, appearance and communication.’
Arthur S. Diamond, Imaging News